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7pm Saturday, January 5, 12, 19, 26.

“The best part of a Reg Hartt program is what he has to say.”–Jane Jacobs (author of THE DEATH AND LIFE OF GREAT AMERICAN CITIES, DARK AGE AHEAD).

Reg Hartt METROPOLIS Reviews

https://www.youtube.com/watch?v=-OUV8UWarPA&feature=youtu.be

 

Reg Hartt METROPOLIS

https://www.youtube.com/watch?v=_vbsLIDD__A

 

A few years back I was invited to screen Fritz Lang’s silent film METROPOLIS with the score I have created for it at a Toronto cinema.

When I began to introduce the film a woman in the front row said to me, “I came to see a silent film.” So did I,” said the woman sitting next to her. “So did we,” said the rest of the people in the nearly full theater.

“Are you saying you do not want to hear what I have to say?” I said. “Yes,” said the audience.

I said, “Fine.”

Then I got the film and went home.

There are many who will feel I did the wrong thing. That is unfortunate for them. The woman I later learned was Maxine J. Schacker of the MAX THE MUTT ANIMATION STUDIO and SCHOOL.

“I was told you are a bad influence, that I should not come to your programs,” a young man told me. “Who told you that?” I asked.

“Maxine Schacker,” he replied, adding he was going to her school.

Now I’m not here to diss Maxine. There are an awful lot of folk who speak highly of my work. One of those people was Chuck Jones.

A few years ago I got an email from a young man who had been in that audience. He said, “It was the moment when I fully realized what it is to be an artist. Thank you.”

David Mamet in his book TRUE AND FALSE writes, “Deny nothing. Invent nothing. Stand up. Speak up. Stay out of school.” I’m with Mamet. Stay out of school.

Maxine is entitled to her opinion. It is, however, one that is not shared.

JULIA SCUTARU, retired journalist, Bucharest, Romania, 2000 wrote, “In Toronto, I discovered by chance, Cineforum. Pure chance but a fortunate one. In that small room exhaling culture, passion and dedication, I watched the movie TRIUMPH OF THE WILL, an important historical, political and social document., and real artistic achievement….As a journalist (in Romania) I worked in the cultural field, including film reviews. Therefore I came to the Cineforum not just as a movie lover, but as a knowledgeable professional…We live in an era authoritatively dominated by brainwashing and political correctness…I admired Reg Hartt’s courage and passion put in searching out and defending the human truth, the artistic truth, the historical truth; the Truth and unveiling it…Discovering Reg Hartt and his Cineforum was one of the most important events of my visit in Toronto.”

DAVID BEARD, owner CINEBOOKS, quoted in THE TORONTO STAR, Nov. l, l979
“This man has devoted his whole life to bringing the film classics to the public. He treats animation-cartoons, if you will-as art. He is underfinanced, overworked and snubbed. I think we should pay tribute to him.

GREG WILLIAMS, MA (Ph, D. Candidate), President, University College Film Society, and Chairman of the Subcommittee for film, U. C. Symposium: I wish we had more time to chat together last night about our respective (and mutual) interests in film.
‘Cineforum’ has attained the status of an institution; it represents an achievement of which you should rightly feel proud.

“I can only hope the ‘University College Film Society’ will someday approximate its success and that I will, personally, match your inspired delivery as a master of ceremonies.

“As a newcomer to the business of arranging film programs, so far I am your equal perhaps only in enthusiasm. Thus I find your presentations to be not only exceptional in their content but also edifying in their execution. As an academic (in the field of English) I am also impressed by the high scholarly standard that pervades your informed and witty introductions,

“I frequently wonder if you have ever considered writing a history…some very good books have been written…but no text has dealt with it in a definitive way. A marshaling of your knowledge would, I am certain, produce a very fine volume indeed.”

DOUGLAS ELIUK, education officer NATIONAL FILM BOARD OF CANADA, formerly Canada’s Cultural Attache to America, .
“(REG) Hartt is acknowledged as a phenomenon in the film community. He is someone who does not rely on government grants, subsidies or institutional protection to generate his film activities. He depends entirely on his intelligence, talent and resourcefulness. His events are produced with care and good sense, in a clean and friendly atmosphere and with an almost avuncular consideration for his fans, As a film officer for the National Film Board of Canada for 30 years, I have seldom seen anyone who added so much substance and passion to the cultural fabric of our society as he has done with his lectures and presentations.”

From a letter to an out of Toronto cinema:
“Last week I finally got a chance to see a film I have been trying to see for literally years. That film is METROPOLIS, and I don’t mean Giorgio Moroder’s head-banger version. No, I’m talking about the most complete version of the film as it was meant to be seen in a l6mm print so clear, so clean you’d think the film was made a year ago. Wow. I mean I have been hearing stories about METROPOLIS for a long time, but I never thought my expectations would be met let alone far
surpassed. And this without the “help” of Mr. Moroder. Does this mean there wasn’t a soundtrack?

“Far from it. Accompanying the film was a brilliant (and I mean brilliant) soundtrack combining both modern music and classical pieces. This soundtrack suited the film when we all know Moroder’s didn’t. So who has this print of the film? Reg Hartt….If you know anything about Reg Hartt you know his lectures are anything but boring. He’s thrown chairs at people, kicked non-believers out, slandered near everyone under the sun (who usually deserves it) and started near riots. In other words, a real entertaining guy. Honestly. Reg is a lot of fun, he knows more about film (and the politics of film) than all of my teachers combined. And his soundtracks!”

DOUGLAS ELIUK, education officer National Film Board of Canada; Canadian Cultural Attache to America: “I have left so many cinemas looking like I’ve been smelling onions for two hours that it is a pleasure and a catharsis to alert you to a redeeming film experience I enjoyed recently. It was not exactly an epiphany, but when something brilliant comes along, it deserves comment beyond self congratulations on managing to stay awake.

“What I’m referring to is a recent screening of Fritz Lang’s METROPOLIS I attended at Reg Hartt’s Cineforum. I’ve seen the film with every sort of accompaniment except organ grinder and a monkey. When organ and even the now rare orchestral accompaniments have been attached to one of the “silent” classics, it is still hard to avoid the giggle factor what with all the usual silent movie grand overwrought gestural school of acting methods. However, Reg Hartt has completely transcended the predictable approach and has presented a classic film with a brilliant multi-layered sound track that forgives the histrionic giggle factor. Hartt allows us to see a great film with a fresh perspective.

“I am not Mr. Hartt’s P. R. council but as someone who has been in the film industry for decades and who celebrates cinematic excellence,I hope you will take the opportunity to experience this superb revitalization of METROPOLIS with its innovative music track.”

“Reg Hartt has presented a classic film with a brilliant multi-layered sound track that allows us to see a great film with a fresh perspective. As who celebrates cinematic excellence,I hope you will experience this superb revitalization of METROPOLIS with its innovative music track.”–Douglas Eliuk.

 

 

 

PETER MOORE, British Artist.

“I am a Brit artist. I love Toronto. I have sometimes heard it said that Toronto is boring. It is a comparatively well ordered city. Maybe that is why some imperceptive people think it boring. The thing is I keep having amazing successes in Toronto. My friend Bob Welton who decided he was much happier in Warsaw than in London used to say in London everything is possible and nothing is probable. I just find in Toronto not everything is possible but lots of things, important things, are quite probable. Does this make sense?

“ANYWAY, a wonderful surprise in Toronto is Reg Hartt’s Cineforum. I was walking down Bloor Street with my friend Alan, a composer, a Torontonian who, searching for fulfillment in London, has realized that everything he wanted existed in his original home, Toronto. It was my birthday. He said, “What do you want to do for your birthday?” I said, “I want to go and see that!”

“I was pointing at a mysterious poster for TRIUMPH OF THE WILL, (the film of Hitler’s l934 Nuremberg rally). I’d always wanted to see that.

“So we went and I found myself in the most perfect place on earth to watch a film. With the film was an unexpected treat….a brilliant, unbiased, sensible and stimulating introduction by the amazing Reg Hartt.

“So once again, in German mode, we went to see Fritz Lang’s METROPOLIS. Reg had somehow spliced on to the film his own soundtrack. Now this was interesting because a while later we went to the Art Gallery of Ontario where the same film was shown-much bigger screen-and with piano accompaniment. It was interesting to compare the two showings. Reg’s came out winning.”

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