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Presented with Introduction By Reg Hartt.

7pm Saturday, May 4 thru Thursday, May 9.

The Cineforum, 463 Bathurst below College across from The Beer Store. 416-603-6643. Donation $20. $10 under 24. 17+. Private. All welcome. You may bring your own food and drink.

  1. Q: Did growing up in Toronto influence your obsession?
    A: My knowledge of silent films, German and French cinema, came an awful lot from Reg Hartt’s Cineforum. At first he showed films at Innis College, then he had a place on Mercer St. for a while. Reg showed some really incredible silent films, from Phantom of the Opera to D.W. Griffith’s films. His strength was putting incredibly good soundtracks on the films. He has a really good ear for movie music and back in the good old days when it was all analog, he would splice them together himself.

https://www.thestar.com/life/food_wine/2013/04/05/a_drink_with_shirley_hughes_director_toronto_silent_film_festival.html

From a letter to an out of Toronto cinema:
“Last week I finally got a chance to see a film I have been trying to see for literally years. That film is METROPOLIS, and I don’t mean Giorgio Moroder’s head-banger version. No, I’m talking about the most complete version of the film as it was meant to be seen in a l6mm print so clear, so clean you’d think the film was made a year ago. Wow. I mean I have been hearing stories about METROPOLIS for a long time, but I never thought my expectations would be met let alone far surpassed. And this without the “help” of Mr. Moroder. Does this mean there wasn’t a soundtrack?

“Far from it. Accompanying the film was a brilliant (and I mean brilliant) soundtrack combining both modern music and classical pieces. This soundtrack suited the film when we all know Moroder’s didn’t. So who has this print of the film? Reg Hartt….If you know anything about Reg Hartt you know his lectures are anything but boring. He’s thrown chairs at people, kicked non-believers out, slandered near everyone under the sun (who usually deserves it) and started near riots. In other words, a real entertaining guy. Honestly. Reg is a lot of fun, he knows more about film (and the politics of film) than all of my teachers combined. And his soundtracks!”

DOUGLAS ELIUK, education officer National Film Board of Canada; Canadian Cultural Attache to America: “I have left so many cinemas looking like I’ve been smelling onions for two hours that it is a pleasure and a catharsis to alert you to a redeeming film experience I enjoyed recently. It was not exactly an epiphany, but when something brilliant comes along, it deserves comment beyond self congratulations on managing to stay awake.

“What I’m referring to is a recent screening of Fritz Lang’s METROPOLIS I attended at Reg Hartt’s Cineforum. I’ve seen the film with every sort of accompaniment except organ grinder and a monkey. When organ and even the now rare orchestral accompaniments have been attached to one of the “silent” classics, it is still hard to avoid the giggle factor what with all the usual silent movie grand overwrought gestural school of acting methods. However, Reg Hartt has completely transcended the predictable approach and has presented a classic film with a brilliant multi-layered sound track that forgives the histrionic giggle factor. Hartt allows us to see a great film with a fresh perspective.

“I am not Mr. Hartt’s P. R. council but as someone who has been in the film industry for decades and who celebrates cinematic excellence, I hope you will take the opportunity to experience this superb revitalization of METROPOLIS with its innovative music track.”

“Reg Hartt has presented a classic film with a brilliant multi-layered sound track that allows us to see a great film with a fresh perspective. As who celebrates cinematic excellence,I hope you will experience this superb revitalization of METROPOLIS with its innovative music track.”–Douglas Eliuk.

 

PETER MOORE, British Artist.

“I am a Brit artist. I love Toronto. I have sometimes heard it said that Toronto is boring. It is a comparatively well ordered city. Maybe that is why some imperceptive people think it boring. The thing is I keep having amazing successes in Toronto. My friend Bob Welton who decided he was much happier in Warsaw than in London used to say in London everything is possible and nothing is probable. I just find in Toronto not everything is possible but lots of things, important things, are quite probable. Does this make sense?

“ANYWAY, a wonderful surprise in Toronto is Reg Hartt’s Cineforum. I was walking down Bloor Street with my friend Alan, a composer, a Torontonian who, searching for fulfillment in London, has realized that everything he wanted existed in his original home, Toronto. It was my birthday. He said, “What do you want to do for your birthday?” I said, “I want to go and see that!”

“I was pointing at a mysterious poster for TRIUMPH OF THE WILL, (the film of Hitler’s l934 Nuremberg rally). I’d always wanted to see that.

“So we went and I found myself in the most perfect place on earth to watch a film. With the film was an unexpected treat….a brilliant, unbiased, sensible and stimulating introduction by the amazing Reg Hartt. PETER MOORE, British Artist.

 

“So once again, in German mode, we went to see Fritz Lang’s METROPOLIS. Reg had somehow spliced on to the film his own soundtrack. Now this was interesting because a while later we went to the Art Gallery of Ontatio where the same film was shown-much bigger screen-and with piano accompaniment. It was interesting to compare the two showings. Reg’s came out winning.”

 

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