Reg Hartt Cineforum
463 Bathurst Street, Toronto, Ontario, CAsearch
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recent posts
- The death of freedom of speech on the streets of Canada.
- Coming soon: THE BIRTH OF A NATION (1915)
- Cardinal Marc Ouellet, can’t you let yourself be wronged?
- Crazy-Wisdom: Time to get spaced out.
- Crazy-Wisdom: Seeing dead people, on being a jerk, Will Sloan, Judith Merril, David Mamet and learning in bed.
archives
friends
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- acf-film.com
- Al Aronowitz
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- brucesimpson
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- CineCycle
- comics 1
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- criterion.com
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- doom9
- Festival Films
- ichingonline.net
- illustrated3dmovielist.com
- John Kricfalusi
- johntaylorgatto.com
- JudithMerril.com
- kino.com
- leonardmaltin
- lepatinlibre.com
- Michael Organ Fritz Lang's METROPOLIS
- michaelbarrier.com
- noirfilm.com
- paradisebound.ca
- Peter More
- Peter Wimmer Stereo Player
- petuniamusic.com
- princesscinemas.com
- Reg Hartt Video
- Ruth Clampett
- Ruth Clampett Wildsville Gallery
- theUniverse.name
- trashpalace.ca
- ultimate3dheaven.com
- wiki/Reg_Hartt
Blogroll
- 3DProStore
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- Animated Talks
- animation-world-magazine
- Barrie Schwortz: The Shroud Of Turin
- Cartoon Research
- Documentation
- dvdverdict.com
- Famous Male Orators
- Full Text of John Taylor Gatto's UNDERGROUND HISTORY OF AMERICAN EDUCATION
- greenbriarpictureshows
- Grim Natwick
- I CHING Wilhelm/Baynes edition
- If This Be Treason
- Jessica Yatrofsky
- Magic Lantern Video And Book Store
- MATINEES AT THE BIJOU
- More Toronto in 3D
- Petunia
- REG HARTT'S HISTORY OF 3D FILM FESTIVAL
- REG HARTT'S TORONTO IN 3D
- Sheila Gostick Performance
- shoot-record-upload-3d-videos-on-youtube
- Stereo Club Southern California
- The Moving Picture Writes
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Reg Hartt
“What I like about Reg Hartt and what makes him a valuable figure is his belief in cinema as a living, breathing thing, something to be enjoyed and argued about, not genuflected at or framed on a wall and revered at a respected distance. In his presentations he refutes the conventional wisdom that films like THE BIRTH OF A NATION (1915), THE BATTLESHIP POTEMKIN (1925), and THE PHANTOM OF THE OPERA (1925) are better appreciated as historical artifacts than entertainments. To see KID DRACULA, his show that pairs F. W. Murnau’s NOSFERATU (1922) with Radiohead to surprisingly effective results is to be reminded that the classics were made for the raw public before they were made for cinema studies syllabi. I have rarely felt a film’s greatness in a classroom but I have often felt it at Reg Hartt’s CineForum.”—from a cinema studies student.