Reg Hartt Cineforum
463 Bathurst Street, Toronto, Ontario, CAsearch
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recent posts
- One night only: Reg Hartt on THE FOUR HORSEMEN OF THE APOCALYPSE (1921)
- Remembering Robert Huber, Rep Cinema Guru.
- THE VILETONES at The CineForum aka THE PUBLIC ENEMY
- This is a static world. Civilized life lies in doing well what has been done before. Doing the expected is the highest value—and the second highest is like it: receiving the appropriate admiration of one’s peers for doing it
- The history of the human race has always been, that the theorists (priests) of each generation collect examples and make rules out of them from the lives of the preceding generation, which did not know it was making rules.
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- REG HARTT'S HISTORY OF 3D FILM FESTIVAL
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The CineForum
“What I like about The CineForum and Reg Hartt and what makes him a valuable figure is his belief in cinema as a living, breathing thing, something to be enjoyed and argued about, not genuflected at or framed on a wall and revered at a respected distance. In his presentations he refutes the conventional wisdom that films like THE BIRTH OF A NATION (1915), THE BATTLESHIP POTEMKIN (1925), and THE PHANTOM OF THE OPERA (1925) are better appreciated as historical artifacts than entertainments. To see KID DRACULA, his show that pairs F. W. Murnau’s NOSFERATU (1922) with Radiohead to surprisingly effective results is to be reminded that the classics were made for the raw public before they were made for cinema studies syllabi. I have rarely felt a film’s greatness in a classroom but I have often felt it at Reg Hartt’s CineForum.”—a cinema studies student.