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When David Gerrald first contacted me on FACEBOOK I knew nothing about him.

He wanted a couple of classic 1950s 3D films I have.

He offered me some of his books for them.

This was new as generally people offer me nothing.

His books arrived.

THE TROUBLE WITH TRIBBLES is the wonderful story of a young person starting his career as a writer.

In his book he charts the course young writers generally travel without charts.

I had seen the Star Trek TV show THE TROUBLE WITH TRIBBLES several times, always with joy but nothing like the joy of the first time.

I don’t know how kids today view those early episodes of STAR TREK when few thought the show would become what it has become.

Talk about mustard seeds.

I caught them in syndicated reruns.

This book tells the tale of how something simply perfect came to be.

In that telling it is the perfect book for every young person who has set themselves on the path of being a writer.

In his book Gerrold hails all the great SF writers of our youth (he was born in 1944. I was born in 1946) except the greatest.

The greatest is Judith Merril whom J. G. Ballard hailed as “the strongest woman in a genre created by weak and ineffectual men” which is one helluva put down.

Nonetheless, I’m with J. G. Ballard.

That does not mean those men were not good writers.

Writers as a rule tend to be strong on the page and weak on the stage.

Judy was strong on the page and on the stage.

This book captures the enthusiasm and the idealism of a young STAR TREK fan meeting all the people behind the show before they became cultural icons.

Gerrold pants a picture of William Shatner as man who does not take himself seriously while at the same time taking his work with 100% of the seriousness it deserves.

He paints a picture which shows cast and crew equal partners in the creation of the work.

Which is refreshing because I’m getting more than tired of  hearing people shit on Shatner.

Not that Shatner can’t handle it.

He’s a good shit.

I’d have sent Gerrold the stuff he asked for without getting his books.

All of us are working not for today but for tomorrow.

Today is the moment before tomorrow’s people get recognized.

This book is about the moment BEFORE a young writer got recognized.

The main thing I get from reading this book is that the right people always are generous.

Young people are always looking for teachers.

What they too often fail to realize is that the right teachers only come along once we put our foot firmly on the path.

Until one is committed, there is hesitancy, the chance to draw back. Concerning all acts of initiative (and creation), there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.”― W.H. Murray

 

 

 

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